Authors Answer 147 – Considering Economic Factors When Writing

Creativity is probably the leading reason authors write. They want to create stories that people enjoy. But how much does economics factor into writing books? There are several factors that may figure into how a person writes, including book length and more. This week’s question comes from Gregory S. Close.

Question 147 – Do you write purely creatively, or do you consider economic factors, such as how long the book will be, and how that would effect production/distribution costs?

C E Aylett

Purely creatively. If you approach it from the other direction you are boxing in your muse. And there’s nothing worse than a story that feels contrived to fit size (think of TV series Game of Thrones — wouldn’t we have liked a little more time to develop the Jon/ Dany relationship? Now it feels inauthentic because it wasn’t afforded the proper amount of time to develop, unlike him and Ygritte.)

D. T. Nova

I’ve paid attention to the length, but with more focus on pacing and tension than on economics.

Paul B. Spence

A little of both, of course. I write the book as creatively as you could wish. I do, however, keep in mind a certain size for the book. I try for ninety thousand to one hundred-fifty thousand words per book. So far so good…

Cyrus Keith

Word count is a factor. Many publishers today don’t want to even look at works less than 75,000 words for a novel. After that, I write what I want to write.

Gregory S. Close

Once upon a time I wrote purely creatively, and assumed that the merit of the work would drive how it was published, rather than things like page count, trim, how much shelf-space it would take up, etc. I thought that I was being economically responsible, but I really didn’t know how things worked until my first experience self-publishing. After surviving that, and realizing how much the size of a book effects the production cost, and thus the potential profit for the publisher and/or author (I only get pennies for every paperback of In Siege of Daylight that I sell, because of the print/production costs of a 600+ page, 240k word beast of a tome that it is), I changed my tune.

Now, I’m a lot more practical in how I consider my writing. I know that the sequel to Daylight will probably be equally huge. I can’t afford to invest the time in another epic and the money in the editing, cover art, trim etc. for another economically doomed novel. So, to be strategic, I have decided that if/when I write at all now, it is to be focused on the shorter, more contained, and potentially more profitable books (Greyspace, short stories and a couple of other ideas I’ve got kicking around). In theory, strategically marketing those more profitable works should allow for me to then pivot back to the GIANT TOTALLY EPIC SERIES. Back and forth I must go, if I ever want to make this work. It takes some of the fun out of it, but ultimately, planning ahead might make the difference between getting a chance to write full time or continuing to write part time, part of the time.

Eric Wood

Seeing as how I’m not published yet, I write solely creatively. I write for free right now, so if someone were to offer to pay me double I’d still make nothing. Perhaps one day I’ll have keep those factors in mind.

Jean Davis

When I set out to write a book, I just write the book. The story is how long it is. However, when it comes to editing that story, I then consider the overall length and what publishing goal would be the best for that particular project. I find it’s easier to focus on embellishing or streamlining after the initial creative process has had its way with the story. Too much pressure to meet a specific word goal makes it more difficult to get that first draft out. I get too hung up on specific word choices, efficient sentence structures or adding sufficient wordy depth to the plot, description, and characters.

Tracey Lynn Tobin

For the overwhelming part, I write purely creatively. I consider small factors, such as ensuring that the book is at least a certain length, but in general I don’t really let that affect my writing. Some would probably say that I should, because it might make my books more attractive to readers/publishers/etc, but for the most part I write because I love it and because I have stories to tell, and I don’t feel like obsessing over those “economic factors” do anything toward writing a good story. Creating something that is enjoyed by the people who read it is more important to me than creating something that checks off all the proper boxes as far as “proper” creation of a book.

H. Anthe Davis

While I’m aware of length and production issues (being an Amazon CreateSpace self-publisher in the print version, and therefore able to see what it costs per unit at certain sizes), I believe a book has to be the length it deserves to be. Can’t shortchange the plot or the characters just for space considerations. That said, there are always tweaks that can be made and extraneous bits that can be trimmed to keep the page count more manageable. I do what I can.

Jay Dee Archer

At the moment, I’m writing purely creatively. I’m not at the point where I’m considering economic factors, such as length of the book. I believe it’s more important to write what I think is a great story. Of course, I have the length of the book in the back of my mind, but also things like cover art. But if I’m thinking about economic factors, it will interfere with my creative process. Write first, worry about the other things later. But once I am considering economic factors, then I will look at what’s best in terms of being published, both independently and traditionally.

How about you?

If you’re an author, do you consider economic aspects while writing, or do you focus on it entirely creatively? Let us know in the comments section below.

6 thoughts on “Authors Answer 147 – Considering Economic Factors When Writing”

  1. Things I think about: Will we need to pay someone to create original cover art for this story (because there’s never a stock image that fits, and we don’t like generic ‘glue a starship on it and call it sci-fi’ covers), or can we come up with something appropriate on our own? If we have to hire an artist (and convince them that no, really, all we need is the ART, not a full cover design), how many other manuscripts will I need to edit to be able to pay the artist? (How many other manuscripts will I need to edit to afford feeding my clone while he WRITES the story in the first place?) Is this story long enough to make it worthwhile to sell on Amazon, or should it be offered as a bribe — I mean, a freebie to people who sign up for the newsletter?

  2. I wrote The Book of Rhino because (1) I wanted a good story to read and (2) I wanted to see if I could do it. When it was finished, I enjoyed reading my book. I had no intention of publishing it so I can say that economic factors were never part of the writing process. After almost two years, I decided to submit the manuscript to a small publishing company to see what would happen. They published my book. So now I have a book out that a few people have bought. They’re happy; I’m happy, and I hope the publisher is happy.

  3. The first draft of my first original novel was over 200k words and after a slew of rejections I cut it down significantly to around 115k. In terms of drafting I don’t consider economic factors, but when it comes to editing I definitely do and will.

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