Authors need to write from many different points of view. Men, women, children, and even animals or other non-human characters. It makes sense that a male author can write a male character more easily, and likewise, a female author can write a female character. But what about writing the opposite sex?
Hmm, I’m not sure. I haven’t done it much, partially because I don’t want to get it wrong. But it’s something I’m trying out in my new WIP so it’ll be interesting to see how it goes.
The first thing is to remember that although there are differences, they aren’t as drastic as you might think. Not all women are crazy about pink. Not all of them are aware of the way they walk, and all women are NOT damsels in distress. The same way as all mean are NOT born mechanics or knuckle-dragging troglodytes who only care about sex and beer.
The hard part is writing not through your filter of how you see them, but as they are, as real people. Humans.
This is when the writer becomes a researcher. Sit in the mall and just observe how men and women, boys and girls, interact. And I mean SEE it. How do they walk together? What do they do with their hands? How do they hold their bags? Where do they focus their eyes? What do they talk about? Look for the ones away from the crowds. Are they pensive? Sad? Happy? What makes them look that way?
I’m sure there’s a second thing, but I’m not sure what it is.
I don’t think I have problems anymore, since I’ve been writing men for ages and ages. In fact, I had more problems with writing women, initially, than I ever did with writing men. I read a lot of male-centered fantasy during my formative years — adventures like the Elric books, Fafhrd and the Grey Mouser books, Vlad Taltos, the Amber series, Belgariad, Chronicles of Thomas Covenant — where almost all of the female characters were on the sidelines or obnoxious. It took me ages to learn to write female characters that felt like human beings, instead of girlfriends or obstacles or tropes — female characters who reminded me of myself and my friends. My biggest problem is still writing romantic relationships, but I have that issue on both sides of the gender fence.
I’m not sure. I don’t seem to have a problem with it. I write people. People are usually not defined by their sex or gender. Sometimes they are, but not usually. Culture is much more important. It defines gender roles. I have degrees in anthropology, the study of humans. Take a few classes, learn about the people you are writing about. If you can’t afford classes, then read Marvin Harris. I would start with Pigs, Cows, Wars, and Witches, then move on to Our Kind. Trust me, it will change your view of the world.
I haven’t written much from a male perspective, aside from a few drabbles and very short stories, but I’m currently working on a project that would be a full-length novel from the view of a male character, and honestly, I don’t find it all that difficult. Perhaps I’ll get torn apart by readers who tell me that I’ve got no grasp on how a man actually thinks, but I personally feel that I’m doing okay, and that if I gave a chapter to someone without them knowing I wrote it, they wouldn’t be able to tell whether the author is male or female. If I ever get around to finishing it and publishing it, you can all tell me whether or not I did well. XD
Whenever you write from any unfamiliar perspective, be it race, gender, religion etc. then you have the challenge of presenting something that is fundamentally alien to you in a way that it seems second-nature. I want to make sure I do everyone justice without too much pandering or cliche. Beta readers are really important for this, I think.
I actually don’t have a problem with writing male characters. If anything, I have more trouble writing women. Maybe it’s because I grew up in a house full of guys and with few feminine influences. When it comes to women, I think I have trouble with striking a balance between creating a realistic woman and avoiding stereotypes. Thankfully it’s 2017, and the line between masculine and feminine things is becoming all the more blurred.
I like writing both sexes so I guess my biggest challenge would be the proper word choice and phrasing. We speak and think differently so my brain is hardwired one way and it takes thought to make the opposite sex sound natural.
I actually prefer writing from a man’s point of view. I’ve never been much of a girly-girl myself, and I’ve had very few female friends in my life. If there is one difficulty I face, it would have to be the obvious. Luckily I have a man as my best friend, with whom I can discuss the body parts I lack… like a beard. Get your mind out of the gutter! 😉
Honestly I think I’m better at writing female characters than male ones.
One exception would be writing heterosexual romance from the female character’s perspective.
It definitely depends on the type of person they are, more than the gender. I don’t buy into the idea that because someone is of a different gender they are more difficult to write — we’re all human, we’re all emotional entities. I look for writing about a human before a gender. Our common ground — emotion, motivation, fear, desire — transcends gender.
I recently read on Quora some answers regarding this very question and someone even ventured to state their idea of the differences between men and women, one difference being that men are not emotional beings and women are. This, of course, is not true, but more to the point, I think that as a writer this is a highly dangerous approach to take. If you write characters from the point of view that they must fit into our preconceived ideas of gender you run a high risk of sounding like a sexist (both ways) or, at minimum, writing to flimsy and outdated stereotypes. That can come across as lazy characterising.
In my first novel I found it more difficult to write the female lead than the male one, even though I am female, because firstly she was American and the male lead was British. Plus, she was into basketball and I hate sports (except for pool, if that even counts), so I had to do a lot of research that I didn’t really enjoy and only used about a third of it anyway! The novel series I’m starting to revise this year will have a football fan in it (that’s soccer to our US readers), so I will have to research that. Luckily my partner is a fan so I can tap him for info. That’s the hardest part — giving them character traits of stuff I’m not particularly interested in. But the world is made up of all sorts and you can’t ignore that just because it doesn’t suit. And especially not in this case where the football fan side is actually a small yet deeply significant part of the setting and politics.
It probably also helps that I have a lot of brothers and hung around a lot with the lads when I was younger, Well, still do! So I just write how my mates talk and act. I’ve also met enough wrong-uns in my life that the more villainous characters don’t feel like a chore, either, just natural.
The hardest thing for me is hearing their voices. What does she sound like? What would she say?
My current work in progress features a girl as the main character in her teens. But she’s from a different time and far different circumstances than anyone has ever experienced. I think that makes her easier for me to write. However, for the average female character, what’s difficult for me is writing dialogue between her and other female characters when men aren’t around. I generally don’t get to hear those conversations, other than what’s on TV or movies, but they’re completely scripted.
However, I think that because both men and women have so many variations in personality, there isn’t a typical female or male character, so however I write that person, that’s the way they are. If someone said that’s not how a woman behaves, I’d just say that’s how she does.
How about you?
If you write, what do you find difficult about writing the opposite sex? Let us know in the comments section.